“Homeland”
Intaglio plate, aquatint, and a la poupee.
“Homeland”
Intaglio plate, aquatint, and a la poupee.
Yin-Yang
The Femininity of Jellyfish
By Tiwidot
Salvador Dali - Les Métamorphoses érotiques,ca. 1960
From How to Disappear
I’m working on a series of these. Come check it out.
On September 8, Jonathan Levine Gallery in New York will open three solo shows byAudrey Kawasaki, Jeff Soto and Judith Supine. Known for her ethereal paintings of delicate heroines, Audrey Kawasaki (Hi-Fructose Collected Edition 2 cover artist) appears to have taken a new direction in her work, creating darker pieces that show her female protagonists with a sense of authority and occult sensuality. Jeff Soto (Hi-Fructose Vol. 16 cover artist) and Judith Supine’s works display a different kind of edginess, with Soto’s paintings exploring the ideas of death and regeneration and Supine’s collages playing with the concept of gender identity. Take a look at our preview of the three shows, images courtesy of Jonathan Levine Gallery.
http://hifructose.com/2012/08/22/audrey-kawasaki-jeff-soto-and-judith-supine-at-jonathan-levine-gallery/
(via adrianchin)
—Łukasz Koniuszy - Restless
Pencil, charcoal, pastel and acrylic on canvas.
Caspar David Friedrich
“The Woman with the Spider Web Between Trees”
Woodcut
1803